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nonoyolker

Weirs Jort Army

+56070


Submissions

4
Bertha
Sept. 17, 1982
Cumberland County Civic Center

Excellent energy and Jerry led jamming to start a smoking show
2
Good Lovin'
April 30, 1977
The Palladium

I typically find the post '72 versions of this song to be a bit of filler, but this one has some nice accents from Keith and some ramp-up ending chaw
6
Wharf Rat
Nov. 17, 1971
Albuquerque Civic Auditorium

Relatively short, given later incarnations, but this one has wonderful energy behind it, deliberate playing, and a delicate finish
9
Bertha
Dec. 10, 1973
Charlotte Coliseum

Jerry on his giddy up and RIDE for this show opener.
4
Drums
July 12, 1989
RFK Stadium

The Drums is fine/good, but this one is great to cleary hear some spunion shout "holy fucking, SHIT!" on the SBD. Someone's mind = blown... Priceless

Comments

Dire Wolf
Dec. 26, 1979
Oakland Auditorium

Super bouncy, precise version. Crisp
Truckin'
March 24, 1973
The Spectrum

I credit the mere existence of this jam to the Billy the Kid, channeling his inner Art Blakey and refusing to let the end of Truckin' dissolve to natural conclusion. Bill kept the driving the splashy high hats, then Bobby caught wise with a clever rhythmic pattern, then Phil dove in with the foundational low end. To my ears, this is one of the most easily identifiable and exemplary jams that highlight just how much certain Dead jams could be classified as pure free-form jazz. The period before Spanish Jam could have been pouring out of Blue Note, rather than the Philly Spectrum. Bill takes home the MVP on this in a big way, but everyone makes incredible contributions on this all-timer version. Very grateful to finally have a polished SBD in the new Dave's release!
Good Lovin'
Dec. 31, 1976
Cow Palace

Agree with comments above. The mid/end "jam" is funky, unique, and hints strongly at the impending Samson. Def worth a spin
Playin' In The Band
Dec. 31, 1976
Cow Palace

In a night that is a veritable human highlight reel, this Playin' is a shining example of why this show should be unquestionably in the upper echelon. The initial jam is absolutely hypnotic and entrancing, then Jerry's driven lead is a mature, pointed, and a clear emotional communication. He is on a mission. Purposeful, doesn't devolve into chaos - there is thoughtful intent throughout. Always been a top 3 for me and finally having the joy of hearing on vinyl after a recent buy. This one deserves way, wayyyy (like WAY) more dap
Cassidy
June 17, 1991
Giants Stadium

Lengthy (relatively speaking), dreamy jam in the middle. Whole band connecting as a unified voice.