headyversion

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nonoyolker

Weirs Jort Army

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Submissions

15
He's Gone
Oct. 19, 1972
Fox Theatre

Booming peak jam, then a flawless segue back into TOO
19
The Other One
Oct. 19, 1972
Fox Theatre

Two huge swells in this one. The first is a very funk jam led by Keith and Billy. The next involves a manic peak by Jerry. Worth checking out
8
He's Gone
Dec. 15, 1972
Long Beach Arena

This jam is a patient wave of energy that hits a progressive peak, then dissipates as cautiously as it grew
2
Greatest Story Ever Told
Dec. 15, 1972
Long Beach Arena

Jam starts fairly mellow, then Jerry vaults it into noodley hyperspace
5
He's Gone
Dec. 11, 1972
Winterland Arena

Incredibly delicate version. Garcia very much in the forefront
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Comments

Brown Eyed Women
April 15, 1978
William and Mary College Hall

Definitely worth listening to for the rhythmic oddity. I can't tell whether it was purposeful or just out of sync (I felt like the former, but not certain?). Worth it for something different, if nothing else
Playin' In The Band
April 15, 1978
William and Mary College Hall

Very choice. I felt like this cracked my head open, then patiently melded it back together on a concerted listen.
Morning Dew
April 15, 1978
William and Mary College Hall

Absolutely cracks with energy. The ramp up is a powerhouse. So strange, almost a year gap until this version, then not played again until Nov '79. They made this one count at least!
The Eleven
Aug. 24, 1968
Shrine Auditorium

Tizzy of frantic jamming, then boils down into a bluesy goo > flawless transition to Death Don't Have
Bertha
Feb. 19, 1971
Capitol Theater

BIG bounce to this one. Amped UP
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