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grendel

Books and Music

+17245


Submissions

2
Not Fade Away
Jan. 11, 1978
Shrine Auditorium

Solid rhythmic NFA with Donna in good form and a tasty little space outro
1
Me and My Uncle
April 19, 1978
Veterans Memorial Auditorium

Garciia packs epic multitudes into his brief guitar solo. Check out this WAY under the radar MAMU>BigRiver pairing. One of the best ever.
1
The Mighty Quinn (Quinn The Eskimo)
May 11, 1991
Shoreline Amphitheatre

Slowest but also funkiest version ever played. Garcia stumbles out of the gates on lyrics but it's no train wreck & the band rescues for a winner
1
Aiko Aiko
May 11, 1991
Shoreline Amphitheatre

Bruce is boss on this one, his keys just adding color & style throughout the tune. Overlooked show & performance
2
Space
May 12, 1981
Veterans' Memorial Coliseum

Numerous "Lively Up Yourself" teases within this short space--follows a "He's Gone" dedicated to Bob Marley

Comments

Eyes Of The World
Oct. 31, 1979
Nassau Coliseum

Intro to this undervalued lightning fast played Jerry note-upon -note-fest is unreal. Phil follows hot on Jerry's heels. This has a lot in common with 11/5/79 (see up the ladder) but that one's more relaxed...this one's like a '79 version of Colgate 11/4/77. Speedy but in in the pocket so. Could use more ears.
Eyes Of The World
Oct. 1, 1977
Paramount Theatre

More about this one. If you’re a fan of 11/4/77 & clearly there are many & for good reason you really should give this one a hard listen. Colgate is like a fire hose of Garcia notes and it’s blazing while still holding true to the song’s structural integrity. In this version Garcia is playing just as fast...maybe faster...but with an even more controlled and mellow jazz flow than 11-4. When Jerry plays this way he always brings to mind a Wes Montgomery performance...be-bop jazz notes at the Village Gate kind of feel, & to top it off the rest of the band is equal to the task. Weir’s rhythm is exceptionally disciplined in this version so as to keep up with Jerry but he adds color & just the right amount of counter at just the right times as well. Billy & Mickey deserve full accolades for the same reason, right up until Garcia’s second jam break where they let loose & provide some serious power to the end jam. Phil rolls along beautifully & while a Keith could be higher in the mix, he’s fully engaged as well. If you’re looking for a big board sleeper pick, you found it.
Dark Star
Feb. 22, 1973
Assembly Hall, University of Illinois

An oddity for its year--a compact, under 15-minute long beauty of a Dark Star. Playing around mostly with the main theme Garcia draws liquid lines with ease while the rest of the band coalesces & delivers a fully realized yet more streamlined rendition that still tantalizes the senses. The Eyes that follows is pretty sweet too.
Samba In The Rain
March 30, 1995
The Omni

^^^^^Needed that chuckle & you're right--a very 2020 activity. Thanks for doing it so we don't have to! (Not my favorite tune ;-)
Estimated Prophet
Sept. 22, 1993
Madison Square Garden

^^^^you ain’t wrong. That very thing (Weir’s interruption) keeps me from upvoting this otherwise fine version.